The Masai Series is another of Lino’s enduring inspirations. Named for the Masai Tribe of Kenya and Tanzania, Lino pays homage to the tribe’s long decorative spears in these wall installations. This totem was designed by the Maestro in 2020 as a new way of presenting the works.

This artwork is composed exclusively of Florencia murrina, created by layering and folding together different colors of flat ribbon cane. This series is named for the fleur-de-lis symbol that represents the city of Florence. 

The Dubai Panels were created as a part of the Maestro's final works. These fused panels were produced in 2021 alongside the Dream of a Long Winter panel series.  

Avventurina is a glassblowing technique from the 17th century that combines metal shavings with molten glass. This is an extremely difficult process that requires patience and persistence. Lino further intensifies this method by adding additional colors, culminating in his particularly precious Avventurine vessels.

In the Borneo series, Lino applies long thin canes to the exterior surface of the glass, which interrupts the internal swirl of cane within the vessel itself. Lino wanted to evoke the idea of a bamboo forest, and the movement the plants have when blowing gently in the wind.

One of Lino’s favorite series, the Foemina have been in the Maestro’s repertoire since the 1990s. These elegant and delicate works often feature vertical canes that gently swirl across the glass’s surface.

The idea behind Meduse was inspred by a jelyfish bloom moved by tdides and winds. This panel was made at Bullseye Glass in 2012 using murrine, glass frit, and three different decorative elements fused together.