Artwork

Monthly Featured

Artwork

Morgana

A limited series from around 2008, the Morgana features heavily engraved patterns that encircle a hole that runs through the center of the vessel. This creates a mesmerizing effect, and seems to draw the eye into the middle of the piece itself. The work is playful, and highlights Lino’s interest in exploring the three-dimensional- ity of glass.

2008
18 3/4” H x 9 3/4” W x 3 1/4” D

Poesia

For Lino, glassblowing is meditative. He follows his intuition and instincts in the hot shop, allowing his creativity to flow in all directions. The Poesia are particularly hypnotic: the intricate canes swirl together and invite the viewer to experience the same meditative qualities that Lino experiences while making the pieces.

2012
12 1/4" H x 12" W x 12" D

Asola

This intricate artwork requires multiple layers of delicately twisted canes that are grouped together and stretched to create long bands of looped glass. The name Asola refers to a type of knot used in tying fishing reels, which Lino tried to emulate in his manipulation of the canes.

2007
17 1/4" H x 14" W x 6 3/4" D

Osaka

The Osaka vessels have a painterly quality. The simple form allows Lino to explore pattern and texture in the murrine. The banded design recalls traditional Japanese kimono. The horizontal stripes of Lino’s vessels recall the obi that wrap around kimono and secure them in place.

2012
18 1/2" H x 11 1/4" W x 11 1/4" D

Ala

The Ala series developed after the Endeavor. The “V”-shaped artworks, though seemingly uncomplicated, posed a challenge for Lino who needed to consider the right type of mold that could accommodate his vision. The Ala as we know it today was first made in 1995 at the Pilchuck Glass School while Tagliapietra was working with glassblower William Morris. Since then the bird-like shapes have become a signature of Lino’s career.

1999
8" H x 61" W x 5 1/2" D

Fuji

Maestro Tagliapietra has visited Japan a number of times, and remains fascinated by the culture and landscape of this captivating country. Reflecting on this particular series, Lino comments that his travels in Japan taught him that “simplicity is not easy. It is complicated to make a simple design refined."

Oca

The Oca begin similarly to Dinosaurs: building up layers of glass and shaping the base while heating and cooling to maintain the temperature. However, rather than pull a long neck, Lino must keep the bubble near the top of the glass for the Oca’s “head”, and then carefully squeeze the “neck” to be very narrow. This is a very delicate process that results in the graceful and slender Oca.

2003
42" H x 9" W x 7" D

Avventurine Fenice

Avventurina is a glassblowing technique from the 17th century that combines metal shavings with molten glass. This is an extremely difficult process that requires patience and persistence. Lino further intensifies this method by adding additional colors, culminating in his particularly precious Avventurine vessels.

2019
13" H x 15" W x 2 1/2" D

Africa

Inspired by the vibrant colors and prints of West African wax fabrics, the Africa series features bold murrine and bright colors.

2015
19 3/4" H x 16 3/4" W x 16 3/4" D

Trullo

Lino explains that the title Trullo “is the name for a very particular kind of house in the Puglia region of Italy." The houses are whitewashed and cone shaped with stone roofs. This glass vessel’s color scheme evokes the houses, and the stone roofs were the inspiration behind Lino’s use of cut cane that create the small stripes along the surface of the vessel.

1999
14 1/2" H x 11 1/4" W x 11 1/4" D